Chiho Aoshima . The Fountain of the Skull . Litografía firmada, numerada y enmarcada.

Chiho Aoshima

"The Fountain of the Skull" ("La Fuente de la Calavera")

Chiho Aoshima es un artista contemporáneo japonés, que pertenece a Kaikai Kiki dirigido por Tkashi Murakami.

Se trata de una edición limitada de 300 ejemplares, firmada y numerada por el artista.

Medio: litografía offset con plata

Dimensiones: 68h × 74w (cm.)

Edición: 300

Año de producción: 2008

Observaciones: Enmarcado

Chiho Aoshima

Mediante curvas Bezier, Chiho Aoshima crea mundos extraordinarios poblada de fantasmas, zombis y niñas adolescentes.

Debutó en la escena del arte sin formación artística formal, el trabajo de Chiho Aoshima trasciende las técnicas tradicionales de representación. Aoshima utiliza el software de computadora para crear mundos bellas y eróticas de los fantasmas, demonios, colegialas, y exquisitos paisajes naturales. Su trabajo se puede imprimir en cualquier superficie, desde bolsas a las instalaciones de fondos de escritorio de gigante. "Mi trabajo se siente como hebras de mis pensamientos que han volado por todo el universo antes de volver a materializarse", afirma Aoshima. trabajo Aoshima ha ganado renombre internacional con una serie de proyectos de alto perfil. Ella colaboró ??con Issey Miyake en 2003, con su obra aparece en la colección primavera / verano.

Chiho Aoshima

"The Fountain of the Skull"

Chiho Aoshima is a Japanese contemporary artist who belongs to Kaikai Kiki led by Tkashi Murakami.

It is from a limited edition of 300, siged and numbered by the artist.

Medium: offset lithograph with silver

Autograph: Autographed and numbered by the artist

Dimensions: 68h × 74w(cm)

Edition: 300

Production year: 2008

Remarks: Framed

Chiho Aoshima

Using Bezier curves, Chiho Aoshima creates extraordinary worlds populated with ghosts, zombies and teenage girls.

Debuting in the art scene with no formal art training, Chiho Aoshima’s work transcends traditional techniques of representation.  Aoshima uses computer software to create beautiful and erotic worlds of ghosts, demons, schoolgirls, and exquisite natural landscapes. 

Her work is printable on any surface; from canvas bags to giant wallpaper installations.  “My work feels like strands of my thoughts that have flown around the universe before coming back to materialize,” Aoshima states. 

Aoshima’s work has garnered international renown with a number of high profile projects.  She collaborated with Issey Miyake in 2003, with her artwork featured in the spring/summer collection. 

In 2004, she was invited to participate in the 54th Carnegie International at the Carnegie Museum of Art, Pittsburgh, where she unveiled her largest wallpaper piece to date, measuring 106 feet (32.5m ) in length by 15 feet (4.8m ) in height.  In May 2005, as part of the Little boy project, her ecologically-themed “City Glow” and “Paradise” series covered ad spaces throughout the Union Square subway station in New York, greeting commuters as they passed. 

In a solo show in 2005, Aoshima presented both her first sculptural work and a 5-screen 7-minute animation piece.